FDCP holds historical scriptwriting contest
1 Feburary 2010


The Film Development Council of the Philippines (FDCP) is holding a national scriptwriting competition for 2010. Deadline for submission of entries is on or before May 20. Winners will be announced on June 12, Independence Day.

“We’re holding the historical scriptwriting contest to promote and support the development and growth of the Philippine film industry as a medium with which to uplift aesthetic, cultural and social values for a better understanding and appreciation of the Filipino identity,” said FDCP chairman Rolando Atienza. He added the FDCP is championing this endeavor for Filipinos to “share our history through scripts that may be produced into films as well.”

Atienza said the binding theme of the contest is historical non-fiction where contestants will embrace orthodox and unorthodox approaches in narrating our history. “The stories should be unique, not common, not popularly known,” Atienza pointed out.

The FDCP notes that the year 2011 will be an important date in hallmarking important historical events. National hero Jose Rizal will mark his 150th birth anniversary in 2011. If it is not mute and academic for some, the Philippines will also mark in 2011 its 65 years of independence from America. 2011 will come a-burning, too, as the country celebrates the 25th anniversary of the People Power Revolution.

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 “The subject matters can delve on the unsung heroes of the Philippines or about the little known events that took place in the history of the country,” said Christine Dayrit, Cinema Evaluation Board (CEB) chairman and project leader of the historical scriptwriting contest. The CEB is under the aegis of the FDCP.

“If the participants choose to depict the lives of known heroes like Rizal and Bonifacio, they must present something new about those heroes that have not yet been discussed in the textbooks,” Atienza said.

The historical scriptwriting contest, Dayrit said, is open to Filipino and of-Filipino descent writers, historians, film enthusiasts, overseas Filipino workers and Filipino expats. Contestants can be based in the Philippines or abroad.

A panel of distinguished judges will declare three winners. The first prize winner will receive P350,000; the second prize winner, P250,000; and the third prize winner, P150,000.

The applicant should submit only one (1) entry reproduced into seven (7) copies, each copy to be accompanied by a synopsis. The name of the writer and title of the script must be typed out on a separate information sheet. No identifying marks of the writer should appear on the pages of the script.  The screenplay must be written in Filipino, English or in any local Filipino dialect. Script written in a local dialect should have a Tagalog or English translation. Also, if the script is written in Filipino or English but carries in part dialogues in a local dialect, the vernacular should also have a translation.

“Again, the rule of thumb is simple – there should be historical accuracy,” Atienza emphasized.

For more information and contest mechanics please call FDCP: Cely Tomas at 634-6984 or Abi Portillo at 638-2739, or log on to www.filmdevcouncilph.org.


 
Cinema Evaluation Board
 
26 January 2010

 

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“PAANO NA KAYA” – graded B’

Director:     Ruel S. Bayani

Actors:        Kim Chiu and Gerald Anderson

Production: ABS-CBN Film Productions

Synopsis:   The film is a story of Mae and Bogs – best-friends-turned-couple and being so in love with each other, feeling that their decision to be in a relationship is so worth it… that best friends can really become the best of lovers. Their love is tested when Anna, Bogs’ former girlfriend returns from the US. At first, Bogs convinces himself that he has already moved on and that Mae is all that matters to him right now. But he starts to feel torn. All the reasons why he has loved Anna in the past are coming back, leaving Mae to doubt their relationship. Mae then decides to break up with Bogs and has to make a decision for herself. She has to learn how to live her life without Bogs, to achieve her dreams without him and to not depend on him for her personal happiness. But at this point, Bogs realizes that it was Mae whom he has loved all along, that it’s she whom he needs and wants. Will the two be able to get back together again? Can best friends really become lovers? Can love on the rebound finally become true love?

 

 
Roño pays tribute to OFWs with Full-Length Movie Musical
12 January 2010

ImageThe Film Development Council of the Philippines (FDCP) with the assistance of the Cultural Center of the Philippines (CCP) is proud to announce the production of EMIR, a full-length movie musical by multi-award winning director, Chito S. Rono.

EMIR  is a story of a Filipina, who becomes a nanny in a royal household. As a loving Yaya (nanny), Amelia forms a powerful bond with her ward, influencing and molding a future crowned-prince. Ultimately, she will sacrifice anything to protect him.

From a story by Chito Rono and Jerry Gracio comes a screenplay written by Gracio with lyrics by himself, Gary Granada, and Rody Vera. Original music by Granada, Vin & Ebe Dancel and Diwa de Leon with Chino Toledo as musical director and arranger. Cinematography is by Neil Daza, Production Design by Digo Ricio and Editing by Jerold Tarog. 

EMIR will be shot on location in Ilocos Norte, Ifugao Province and Morocco. Shot with the state-of-the-art RED camera and enhanced by Dolby 5.1 surround sound, EMIR will be one of the biggest films of 201Image0.

While the CCP has already produced the film Hari sa Hari, and the TV series Noli Me Tangere both by National Artist for Film, Eddie Romero, this is the FDCP’s first film production.

EMIR hopes to cast the OFW in a new light, employing the musical genre to elevate and transform the current perception of overseas workers, paying tribute to their contributions to the country at large.

 

EMIR will be released first quarter of 2010.

 

 

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Amelia says goodbye to her ancestral home of Banawe. A new journey awaits.

 

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An OFW heroine rousing the locals to enlist overseas workers.


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Asst. Directors, Lorna Sanchez and Chris Millado talk Farr through a scene in the dunes of Paoay.

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Frencheska Farr in front of the Kasdah in Ourzazate.

 

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Chito Rono, Frencheska Farr with cast and crew at a market in Marrakech.

 

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Frencheska Farr with Warren Munar (makeup artist) at a lamp market at Marrakech.

 

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(L-R) Chito Rono, Frencheska Farr, Warren Munar, Cris Aquino in a plaza in Marrakech.

 






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